In the Trackless Wild

A Harry Cogbill Story

By Sean Gates

     It was the last Christmas before my son was born.  The autumn had been colder than usual, which I suppose had something to do with the timing of the boy’s arrival.  At any rate I was outside in my mackinaw and battered brown fedora, my breath huffing out in dense white clouds as the ax head dropped and split another log. 

     The sky was a slab of slate, the air heavy, crisp and clear, the fields devoid of color but for the last speckled leaves of the yellow poplar that skated across the grass when the wind blew.  Nearby Fawkes, our adopted grey fox, prowled his pen with the kind of smile that made me worry what mischief was in his heart.

     Ethel’s red F-1 groaned on its springs as it clattered over the cattleguard and traced the dry orange ruts of the drive like a locomotive on its tracks.  She circled around in front of the house and took her accustomed spot beside my Pontiac.  My wife stepped down off the running board, clamping her hat to her head with one gloved hand, her woolen coat, bell-like, hiding the cut of her waist as it spread across the swell of her hips.  I stuck the ax in the next log and admired her legs in her nylons, and the way her smile lit the yard like spring.  With the other hand she chunked shut the door of the truck and crossed the yard to me, all chestnut curls and electric blue eyes, the spray of freckles across her nose somewhat faded with the departure of summer. 

     “What did the doctor say?”

     “Well, the bad news is we’re gonna have to really manage our money from now on.”

     I felt a chill unconnected to the weather.  A slideshow of horrors passed before my eyes too quickly to register.  I thought I might black out.  I took her in my arms, and held her, and in the back of my head demanded the Lord not take her from me, anything but her.  Anything up to and including my own life.  I took a deep breath. 

     “How bad is it?”

     Her voice came back muffled from the front of my coat.

     “Oh it ain’t so bad, Cogbill.  A few months of discomfort and everything’ll be good.  We’ll just have to accept that our lives’ll be different from now on.” 

     I couldn’t breathe.  It was all I could do not to cry. 

     “The diagnosis, Ethel.”

     “Hieronymus, I’m tryin’ to say I’m pregnant.”

     It hit me like a marching band where every instrument was playing a different tune.  Although relieved, for some reason I thought with sadness of our summer picnics at the edge of the forest, the pale, thick curves of Ethel’s nakedness soft and warm in my arms beneath the blue dome of Heaven.  Soon our privacy would become a commodity, and our physical love a thing of the past.

     “Well Cogbill, say somethin’.  Seein’ as I just come from the doctor, reckon I had about enough of waiting for today.” 

     “It’s a lot to process.”

     “Think how I feel.”

     I kissed her, took the hat from her head and buried my face in the strawberry scent of her hair. 

     “You’re right, I’m sorry Ethel.  Of course I’m happy.  I think.”

     She pushed away from me, looked up at me with a glare that could have melted the face off a dragon. 

     “Got to say, this ain’t goin’ like I expected.” 

     “I’m delighted we’re having a child.  I’m terrified what we’re bringing her into.”

     “I don’t reckon the world’s ever been unicorns and rainbows, Cogbill.”

     I knew she was right.  The shadows were long and blue under the distant droplet of molten gold that was the winter sun.  I walked with her into the house, and made grilled cheese and tomato soup and a pot of coffee, and we ate in relative silence as Fawkes stood under the table, looking expectantly from one to the other of us, his long snout and twinkling eyes quivering with grilled cheese envy. 

* * *

     After dinner I walked out across the darkened fields under a moon that seemed somehow brighter than the sun, wreathed in a fat corona in the chilly, humid air.  The arthritic fingers of the winter trees clawed at the velvet sky, the wind pulling my collar and the brim of my hat as the snow began to fall.  The whiteout hit like the fist of God, painting the frozen earth with the kind of urgency and intent only attributable to divine consciousness. 

     I had been here before, in December ‘44.  I could smell cordite in the air, hear the crescendo screams of mortar shells and the distant snarl of tank engines.  I pulled the army-issue jacket tighter around my neck, tugged on the belt at my waist to bring the coat closer to my body.  The wool cap I wore under the steel pot was slipping upward again, off my ears, and I tugged it down.  The fingers were cut off my gloves so I could shoot, and I couldn’t feel my fingertips.  We were running our M1s without lube to keep them from freezing up. 

     I was dug in a foxhole with Rollie Taylor, a black PFC who was the best friend I had in the world.  Our eyes were watering and our noses running.  He fumbled a cigarette out of a pack with hands almost too cold to function; the click of the zippo sounded like a hammer on a nail in the cold air. 

     “Jesus Christ, Rollie, I can’t feel my nuts.” 

     He took a long drag, perhaps in a vain attempt to warm himself.  The cherry of the cigarette swelled brighter, reflecting in his eyes and casting a red glow across his chocolate-colored skin as he knocked the snow off his boots with the stock of his rifle. 

     “Don’t wanna lose that shit Rony, they property of the US government.  Take ‘em out your pension.”

     Rony was short for Hieronymus I guess.  Rollie and Rony, Europe’s garbage men.  The pay was lousy, but at least the commute was terrible. 

     “It get this cold in King George, Rollie?”

     “Nah man.  Not really.  Some nights in February it be a lil rough, I guess.  But not like this.  Build you a fire, if it too cold you can sleep by the hearth, curled up on the flo’.  Lot of hills up where I live at.  Good sledding for the little ones.  But it don’t snow every winter.  Ain’t no different in Chesterfield, is it?”

     “Probably not.”

     “Why ain’t you like Chesterfield, Rony?”

     “Baggage.  Family stuff, man.”

     “You go see ‘em if you get out this joint?”

     “I don’t know.  I don’t guess we get along all that well.”

     “Brother, is all white guys this damn sad?”

     “I don’t know.  Probably not.”

     By the next morning the growl of the panzers had reached us, the air was full of smoke and ash, and pieces of exploding trees, the sound of gunfire and detonating ordnance a physical force with weight and mass all its own.  My teeth rattled, the ringing in my ears the only sound not muffled by my ruptured eardrums. 

     I remember little with clarity: the tanks making the earth tremble, the screams of dying men on both sides, the odor of feces and the metallic tang of blood mingling with the cordite and the pine.  A distant rattle, and the muted sound of Rollie’s voice, yelling something.  In the muddy snow between us landed a German grenade, a long wooden handle with a small, olive-colored canister riveted to the top.  I hesitated half a second.  I saw Rollie fall on it as somebody tackled me with a hit that would have done an NFL linebacker proud, my steel pot wheeling away into the trees as a muted thump ended my best friend’s life. 

     I clawed my way out of the snow, my head still ringing, and looked down and saw the red plaid of my mackinaw.  I had made it out of Europe once again.  I shivered, and a steady, low-voltage current coursed through me, from the crown of my head to the tips of my toes.  A wisp of electric blue smoke curled among the trees, seemingly undisturbed by the whistling wind and the whirling snow.  Where the blue smoke crossed the strands of moonlight, I could see part of him, the cigarette clamped between the fingers of his dangling hand, the collar of his olive-colored jacket turned against the wind. 

     “War’s over, Rony.”

     “Gonna be a father.”

     “So take your ass home.” 

     “What if I’m no good at it?”

     “What if you is?”

     “Sometimes when I fail, people die.”

     “You didn’t let me die.  I saved you.  If I’d knowed you be all tore up about it, I’d’ve let you punch your ticket instead.”

     “I know you better than that.”

     “Don’t get me wrong, man, I wanted to live.  Sometime it just don’t work out the way we want.”

     “That’s what I’m afraid of.”

      “Naw.  What you afraid is sometime it do.”

     The blue smoke dissipated, and my friend was gone. 

     I had no idea from which way I’d come.  I’d been in the same spot in the woods for an indefinite amount of time; the snow was driving, and any tracks I might have made in the beginning were covered and blown away. 

     My ears were numb, and my face felt raw, my nose and eyes watering as they had in The Ardennes so many years ago.  I gathered the collar of my mackinaw close around my neck and jaw, and through the thin fabric of my trousers, my manhood had retracted and now hid, like an animal burrowed in its lair.  In the whiteout conditions I couldn’t see far, no lights or familiar land features to guide my way.  I listened for any sound but could hear nothing over the wind and the tinkling of snow.

     I began to walk; any movement to generate body heat was better than sitting still, and any direction better than none.  The snow had gathered in my eyelashes and I had to squint to keep it out of my eyes.  Dark, furtive movement ahead in the underbrush, and a grey fox appeared.

     “Fawkes?”

     The fox looked at me, his back frosted with snow, and trotted at a leisurely pace off to the right.  I followed him, not knowing what else to do. 

     “Is that you, buddy?  How’d you get out here?”

     The wind pushed the dry snow like foaming surf in wavelets across the ground, and the tracks were fading before my eyes.  I hurried on after my vulpine guide, and twice saw him waiting for me at the edge of my vision.  At last the forest ended and he led me across an ocean of snow, until I saw familiar fences and the dim yellow eye of our living-room window where the house crouched on a slight rise in the open fields.  I wiped my eyes on the inside of my collar, and when I cleared them the fox was gone, and so were his tracks, and I had no explanation but for the wind and the snow. 

     I stumbled onward to my house, with its chimney-smoke scattering in the curling winds, past the igloo-like mounds of the cars, and climbed onto the porch, where briefly a silhouette appeared at a window.  The door opened and my wife pulled me into the warm yellow light.  Fawkes was curled up asleep on the couch. 

     “My God, Hieronymus!” 

     She helped me undress and stood with me under a hot shower and held me until the blue tinge faded from my skin, and my anatomy more or less restored itself to its usual configuration.

     “Were you trying to die, or just flirting with it?”

     “I had to figure some things out.”

     “You ain’t sure you want to have a baby with me.”

     “Christ, Ethel, of course I do.” 

     “Then what the hell’s the problem?”

     “Me.  The world.”

     “I’m a part of that world.”

     “But so was Nestor Lazos, so was Hitler.  So is Hector Adagio and the men who pushed William to kill an innocent man.  The same world that gave you to me, took Rollie Taylor’s life in a place that still haunts my nightmares.”

     I turned the water off, and we dried ourselves.  She brought me a big, heavy blanket and wrapped me in it, then put on her bathrobe and led me back to the living room and the warmth of our hearth. 

  “A baby, Ethel.  How am I supposed to protect her from all of this?”

     “In the first place, you don’t have to do it alone, and you know it.  Why did you ask me to marry you?”

     “The morning you drove up here was like the first time I saw the sun.”

     She poked at the embers and added another log, and the blue-and-red coals reached out in yellow tongues to consume it.

     “You’re going to be an incredible mother.  We’ll just have to make do with whatever kind of daddy I turn out to be.”

     “You think you’ll screw it up?”

     “I do most things.”

     “Show me somebody who doesn’t.  Hieronymus, my daddy hadn’t got much ability to discuss his feelings.  I think he’s afraid of being vulnerable.  It took me a couple decades to figure that out.  I thought it was me.  For a long time.  I ran around got in trouble just trying to get noticed.”

     I held her tight, and kissed her hair.

     “And then I met you.”

     “And I am also a big strong stupid pain in the ass.”

     “Maybe sometimes.  But you know how to love.”

     “I get it wrong too.”

     “But that don’t stop you from doing it anyway.  And no matter how mean the world is, we own this little corner of it, you and me and Fawkes, and baby too.  We’re a team.  We don’t give up on each other.”

     “I couldn’t.  Any more than I could quit breathing.”

     “That’s how I know you’re gonna be a great daddy.  So don’t get all twisted up.  Don’t overthink.”

     “Rollie thinks I’m scared of things going well.”

     She eyed me curiously.  “Rollie died in Europe, remember?”

     I nodded and chose not to elaborate.  That he still sometimes visited me was not something I ever chose to share, even with the one person in this world who knows my soul.  But I wondered if he didn’t have a point: my grip on happiness was tenuous.  Every change in the wind, every chance or happenstance could take it all back without warning or mercy; I had never quite accepted that the world could be a place of warmth and hope, except for those brief moments in Ethel’s embrace, when our bodies were as joined as our hearts and souls and I felt, fleetingly, that I was part of a larger universe, in the sight of a just and loving God.

     “Well hell, Cogbill, I’ve always told you that.” 

     “What’s that?”

     “That yer afraid to be happy.”

     “I’m afraid of losing my happiness.”

     “So you push it away preemptively.” 

     “I guess.”

     “Well stop it, because the baby and I are going to want you around.” 

     “Me too.  Only I guess our picnics are going to be a little different.” 

     “Hieronymus Cogbill, that is why the good Lord made babysitters.”

     My wife has always been smarter than I am.

     “You still cold?”

     “A little.”

     She stretched out beside me and opened her robe. 

     “Well, I cain’t get any more pregnant.” 

     I could find no fault with her logic.

* * *

     The next day, after a hot breakfast we cleaned off the truck and warmed up the motor while we had a second pot of coffee.  Then we bundled up and drove to Hud Avery’s place on Owens Drive, up on the ridgeline behind the old airport that was being turned into a residential subdivision.  Below us, construction equipment and a couple of half-finished houses stood covered in snow in a semicircle near a flat expanse of white that had once been a grass runway.  All Ethel would tell me was that she wanted to share something special with me.

     Avery’s house sat along the lip of an ancient, boggy crater that encompassed the Dahlgren area on the southern bank of the Potomac River.  The intersection of US Route 301 and State Highway 206 was in the bottom beyond a scrubby treeline.  The Morgantown Bridge was visible to the north.  A hundred yards from Avery’s house, a gnarled old tree stood at the precipice of the hill, and his fields lay spread like a blanket below.  The peak of his roof stuck out black against the snow that had drifted in his gutters, and the broad gable across the back of the house was split by a tall, red-brick chimney.  It gave forth a steady, peaceful stream of grey smoke in the clear mid-morning light, the yellow sun shining off the fallen snow with all the hope and glory of the grace of God. 

     When Avery opened his door, his chocolate lab shot out into the driveway like a ballistic missile, kicking up snow with his big powerful feet and flopping over on his back to roll around in it. 

     “God damn it, Buck, get in here!”

     The dog nearly tackled us all as he came charging back, shaking himself off at the door.  Hud shook my hand and hugged Ethel, offered us both coffee, and approved Ethel’s request to borrow his taboggan for old-time’s sake. 

     “Little old for sledding, ain’t you?”

     “Well, I’m inclined to think so…”

     “Oh now, Mr. Avery.  Cogbill here needs to live a little, and we’ve reason to celebrate.”

     I stuck my hands in my pockets and grinned as she broke the news.

     “We’re havin’ a baby.”

     “Well, hell, congratulations.  You be careful on that sled then, won’t you?”

     She promised, and I promised to make sure of it, and then we dragged the sled out to the brink of the hilltop, and I had to admit the view was beautiful.  It was the first I’d seen it since August of ’59.

     “Now you got to hold on tight, Cogbill, there might be frozen cowpies under there, and we won’t know ‘less we hit one and catch a little air.”

     The hill dropped off steeply for the first fifteen or twenty yards, then adjusted suddenly to a much shallower angle for the remaining hundred-and-fifty or so.  This had the effect of giving us a good burst of speed right out of the gate, building up enough momentum to carry us all the way down to the pasture below, over shallow, undulating rolls of earth before petering out in open field.  When I looked back, the house was invisible, the ridge of the hilltop breaking line-of-sight. 

     The first run made the track, packed it down; and in order to preserve it we climbed back up the hill on the north side, heading for the tree at the corner.  The second run was better than the first.  The snow blew up across the prow of the sled, making us close our eyes, but the track, having been cleared, moved faster and carried us farther across the field at the base of the hill, where we did collide with something and pop up off the ground a good six inches at the end of our run. 

     The cold turned Ethel’s cheeks to apples, and highlighted the freckles on her nose, and in her laughter and her screams of delight as we rode over and over down the hill, I could picture her with her cousins coming here as children. I couldn’t help but think what the joyful screams of our own children might sound like echoing across these fields on a day like this one, and with a clarity like the sky, I understood at last the nature of the gift we had been given. 

     Exhausted, sweating under our heavy coats, we returned Hud’s toboggan to his porch, thanked him, and enjoyed a last cup of coffee in his kitchen.  Then we got in Ethel’s truck and turned North on Owens Drive toward Hooes, which is pronounced “hose,” and the humble home of Iris and Elijah Taylor. 

     Icicles were forming under the eaves of the crooked little house, the dripping water perforating the snow along the front.  The tin roof had mostly cleared itself of snow, and the smoke swirled out of the chimney like the souls of the departed. 

     “You sure this is what you want, Hieronymus?”

     “As long as it’s okay with you.”
     “Cogbill, I wouldn’t have it any other way.” 

     We sat on the couch in the Taylor’s modest living room, under the photos of their seven grown children, Rollie in his Army pink-and-greens, looking ready to liberate all of Europe on his own. 

     “’Ronymus, what in the hell you doin’ out in this stank-ass weather?”

     Elijah was in his chair, drinking beer-on-ice in spite of the cold.  Iris had her own chair nearby.  Ethel helped her with the coffee and then rejoined me on the sofa as Iris took her chair, doilies pinned to the arms and backrest. 

     “Mr. and Mrs. Taylor,” Ethel began.  “Hieronymus and I have some news, and then a question we’d like to ask you.” 

     “I sure do hope it ain’t nothing bad,” Iris said.

     “We’re expecting.” 

     “Oh! I’m so happy for you.”

     “My man!” 

     I took a deep breath.  It was my turn.  As I looked at them, my eyes welled up in spite of me.  I had cut ties with my own family.  I had nobody but Ethel.  And I understood now that sometimes I would need someone older and wiser, whose experience I could draw upon when my own good sense failed me.

     “I don’t know how to ask this.  I need someone to guide me when I lose my way.  I can’t replace what I took from you.  But I want you to know I love you both.” 

     “Mr. Harry…” Iris had never quite learned to drop the Mr.

     I got off the sofa and dropped to my knees, for some reason my eyes were moist and it was difficult to see.

     “Mr. Harry.  Hieronymus.”

     Iris got up and put her arms around me.  The pain poured out of me like the head on a beer running over the rim, like boiling water lifting the lid off a pot of spaghetti.  What the hell, it was only sixteen years late.

     “I took your son from you.  It was my fault.  He was the bravest man I ever knew.  He was better than me.  I’m so sorry Mom, Pops…”

     Eli reached out one brown hand, knobby and twisted with veins, the fingertips flattened and squared from a lifetime of hard labor, and placed it gently on my head. 

     It was a long moment before I could speak. 

     “Ethel and I…we want…that is…we’d like to ask you to be our child’s godparents.” 

     Now Elijah was a hard man, quick-witted and temperamental, but he was also one of the most honorable men I ever knew.  He could fix you with a stare that would put the fear of God in even the most ardent of sinners, and could just as effortlessly make you laugh until you couldn’t breathe.  But that afternoon as I looked up at him, his face was unreadable.  The only sound was Iris’s voice.

     “Taylor?”

     His mouth was a straight line, his nostrils flaring as he breathed.  Then I caught a glimmering of moisture at the corner of his eye, and he nodded. 

     “I guess that be alright.” 

* * *

     We drove home in the gathering darkness, the world around us blue with moonlit snow, the twisted black trunks of sleeping trees tangled like a mane on the humped back of the world.  Along 301 we passed the Hillcrest Motel and intermittently, modest homes shuttered up against the frigid night.  Lights were strung through hedges or around cedars in yards, wreaths hung on doors, the twinkling of Christmas trees through blinds or sheers, and I noted a trace of my mother’s perfume and my father’s pipe tobacco on the air. 

     The smell was a sense memory, the kind that accompanies a feeling of a specific time or place.  It was the smell of Christmas 1930 in Chesterfield Courthouse, thirty years and a lifetime ago, and I understood that through our child I would see these memories from the other side. We went round the traffic circle at Edge Hill, Ridge Road to Purkins Corner, then followed Route 3 through King George Courthouse, where decorations had been hung on utility poles and the tree was lit in front of the courthouse.  The warmth of hearth and family shone from the homes of Hudson, and Morris; Morgan, Clare, and Clift.  Holiday cheer hung over the doors of Trinity Methodist and St. John’s Episcopal. 

     “It’s a pretty little town, ain’t it, Cogbill?”

     I gazed upon the sequined expanse of God’s creation, and knew in that moment that there could be no finer town in any world, for here in lowly King George were the people I loved, and nothing else in the infinite, expanding universe could be worth so much.  Here, at last, was my home. 

     “It’s wonderful, Ethel.” 

* * *

     Late one night the following summer, in a room at Mary Washington Hospital the color of crème-de-menthe, we welcomed Roland William Cogbill into our world, and incredibly, unexpectedly, I found that my life, and all the things I held dear, did not get smaller. 

     They got larger. 

The Dark and Lonely Road is Now Available in Trade Paperback!

I want to thank everybody for following the chapters as I had uploaded them here. You’ll notice they’re now gone. The book is completed and has been published, and with subsequent revisions is different in varying degrees from the chapters posted here. If you’d like to purchase a copy to find out how it ends, head to Lulu.com by clicking the cover image below.

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In the near future, the book will also go on sale through Amazon.com and barnesandnoble.com – I will be sure to update you as soon as that happens. As always, I thank you all for your support, and I’ll try to post more content here in the near future.

Along the Winding Way

This is a short story I wrote this past summer.  It was my entry in a contest on a writing forum, and it won.  There was no prize or anything, it was just for fun.  Anyway it’s a sequel to “The Dark and Lonely Road,” and whether it’s canon or not I have yet to decide.  This may become the bones of a novel, or it may stand as a short story.  Anyway, I thought I’d share it since it’s been a long while since I posted anything here.  If the prose seems sparer than usual, there was a word limit and a prompt I had to work from!


Along the Winding Way

“Well if y’don’t want to do this, don’t.”

Ethel Burkitt had come in from the garden, and stood in our kitchen sort of hipshot in her shapeless overalls and too-big flannel shirt, the sleeves rolled midway up her forearms.  Dust from the yellow earth covered her knees and backside.  It was July of 1961.  As it always did in summer, the sun had turned her light brown hair to copper-gold, and raised a dusting of freckles across her cheeks and nose.  She had a basket of squash and zucchini nestled on her hip, and her eyes were the color of cobalt as she looked up at me, twisting her mouth to one side as far as it would go.

“When you agreed to marry me—” I started, but she cut me off.

“Well for Godsakes Harry Cobgill, I didn’t marry you because you flip burgers.”

I didn’t quite know what to say.

“Do you know why you cain’t hold down a job, Heironymus?”

“Oh here we go.”

“It’s because all these damn jobs is beneath you.”

I wasn’t sure much of anything was beneath me.  I’d let my best friend take a grenade for me in Ardennes, gotten kicked out of the Army, and fired from about everything else in the last twenty-plus years.  When I met Ethel she’d asked me to help her with some bad guys causing trouble for her family, but she wound up saving herself.  Which explained why I married her, but not so much why she’d married me.

She handed me the basket of squash and poured herself a glass of lemonade.  Fawkes, our pet fox, was snuffling around my feet wondering if he liked squash.

“At any rate, Mildred has questions and she thought you might help.  I told her we’d let her know one way or t’other, so you’ll have to make up your mind.”

“Right now?”

“Well that’s up to you,” Ethel said, and shucked off the overalls, her legs sturdy and pale beneath the hem of the big flannel shirt as she headed for the shower.  I set the squash on the table and went after her.

***

Later, after lunch and some other things, I got in my red-and-black Ford Crestliner and drove over to the store in Gera to use the phone since we didn’t have one at the house.  Mildred Harris was glad I called and said she was home and I could stop by anytime that afternoon.  I bought a newspaper and an RC Cola from John because I felt guilty.

“Still got that grey fox?”

I had rescued Fawkes the same morning I met Ethel.

“Yep.  Wrecks the house, but Ethel likes him.”

John just smiled and shook his head as he made change.

I drove out to Purkins’ Corner and west on Route 3, through King George Courthouse and out past Arnold’s Corner, then north on Comorn Road, a small two-lane headed towards route 218 at Osso.  Osso was an old two-story house with a tin roof, a decorative front-facing gable, and a wide porch with ornate posts and railings, on the southeast corner of the T intersection.  A few miles further on 218 was a more modern home, a small bungalow-type house with an umbrella clothesline in the yard and a white ’59 Galaxie in the driveway.

I parked behind the Galaxie and stepped up on the porch.  I tried tapping on the stormdoor at first, then tentatively opened it and used a small brass knocker in the middle of the door.  I heard Mildred holler “just a minute” and then there was a shuffling from inside and a clank, and the door sucked open and Mildred stood there in her cat’s eye glasses and pea green dress, her dark hair piled high on top of her head.

“Oh, Harry, you made it.  Come on in.”

Her living room was full of flower arrangements people had given her, and cards, and I felt momentarily ill-prepared as I’d brought her nothing.  But I remembered then that Ethel had already done for us.  Millie led me into the kitchen, asking if she could get me anything to drink.

“Just coffee, if you have any.”

In the hallway just before the kitchen, I noticed the framed photo of Millie and Dane, her late husband, on their wedding day.  He was an awkward-looking man, bald and narrow-faced, with a black fringe and tortoise-shell frames, and a smile that somehow always looked forced.

“How are you and Ethel getting along?” Millie asked, as I lurked uncomfortably between the Frigidaire and the formica table.  “And sit down, for goodness sakes, you’re making me nervous!”

The chairs were formed of chrome tubing and vinyl padding, and the table’s legs were chrome too, as were the edges of the formica top, which was printed with little pink and blue boomerang shapes.  There was a rotating spice rack backed up against the wall, and a napkin holder and a little sugar bowl with a lid and a notch for the spoon.

“We’re good,” I said.  “Although I wonder why she puts up with me.  You know they let me go up at Horne’s.”

The percolator sighed and farted rhythmically.  She had a fancier one than mine, white with blue cornflowers stenciled on the side and a black plastic stand under it.

She laid out a small plate of cookies, poured us each a cup and sat down across from me.

“How about you, Millie?  I was sorry to hear about Dane.”

“Thank you,” she said, “for agreeing to help me out.”

“Always, but I have to warn you, I’m not much of a detective, whatever Ethel may have told you.”

“Stop doing that,” Millie said.

“Excuse me?”

“Stop putting yourself down.”

“But I’m really not a detective,” I said.  “though I occasionally detect.”

“That isn’t the point, Hieronymus.  Do you respect your wife?”

“You know I do.”

“Then respect the fact that she sees your worth.  Even if you don’t.”

I sensed I had touched a nerve.  I’ve always been bad at people.

“You’re right, Millie.  I’m sorry.  What is it I can do for you?”

“It’s about the circumstances of Dane’s passing.”

“I didn’t know there was anything unusual.”

“Well, Sheriff Powell ruled out foul play, and the doctors did say it was a heart attack, but I just can’t help thinking…”

I didn’t prod her.  I didn’t really know what to say, or what to ask, and it was hard to imagine what she was getting at.  She’d come home from helping her sister with a new baby out in Culpeper, to find Dane laying across the bed in his boxers and undershirt.  His pants were folded over a chair and the closet door was open.  There was nothing too peculiar about any of it, except that Dane’s heart had stopped.

“Well he was on the wrong side of the bed,” Millie said.  “And I’ve never seen him put his pants over the chair like that, and why do that with the closet door open, that’s where he usually put them.  The hanger wasn’t even out.  And…Hieronymus you mustn’t tell anyone, but there were two glasses in the sink, and I just have a bad feeling, and I’m so embarrassed…” she choked up a little and I took her hand.

“It’s probably nothing, Mill.”

And I figured that was probably the truth.  Dane wasn’t the type, and I said so.

“There wasn’t lipstick on one of the glasses or anything?”

“No, nothing like that.”

“Well there you go, they were probably both his.  I don’t want to take your money on this, Mildred, it isn’t worth it.”

“Now damn it, you will take my money and you will do this for me, and that’s all there is to it.”

“I don’t feel good about this, Millie.”

“It would put my mind at ease.”

Assuming I was right about Dane, sure.  I exhaled.

“If you’re sure this is what you want.”

She said it was, and she gave me an advance, which I tried like hell to refuse.  I even tried to forget it when I left, but she caught me and pressed it back into my hand.  The only thing more embarrassing than receiving charity was taking money from a widow.

I had a list of Dane’s friends that Mildred had supplied me, but like a lot of people in the county back then I didn’t own a telephone.  Rather than exploiting John to call them, I figured I’d pay them personal visits when they weren’t at work.  But since I wanted to spend the evening at home, I decided I’d start in the morning.  Plus, it would be Saturday and I’d have all day to do interviews.  So I drove back home, fixed supper for Ethel and myself, and then we sat out on the porch drinking coffee in the shade, and watched the dragonflies glistening like precious jewels as they hovered in the evening sun.

***

The next morning I woke early, Ethel’s head on my chest and one pale leg across my waist.  The faint strawberry fragrance of her hair took me back to a day nearly two years before, when I first understood that I never wanted to be without her.  I extricated myself from her sleeping embrace, put on pants and made my way to the kitchen.  I got the percolator going while I diced a couple of potatoes and a small yellow onion, and fried them up with a big hunk of butter and a sprinkling of Sauer’s coarse ground black pepper.  The potatoes took about fifteen minutes, so while that was going I opened a can of hash and scrambled a couple of eggs.  The smell brought Ethel out in a little while, wearing one of my shirts.  She put Fawkes out in his pen, then said grace over our meal.

I had to shower alone this time while Ethel was out in the garden.  Our house was a century-old farmhouse, one of those plain-faced jobs with a tin roof, three windows across the upper floor and two on the lower, with the door in the middle and a wide, sagging gallery.  The yard had once been overgrown with wildflowers and weeds, the fences draped with Virginia creeper, but Ethel and I were reclaiming the farmland and expanding our crops.  The driveway was a mile long out to Gera Road, and west on Gera led to Millbank and I turned right, going north until I came out between the school and St. Anthony’s church, then turned right and joined Route 3 near Willow Hill, just short of Arnold’s Corner.  At the corner I took a right onto route 206 and wound along the tree-lined way until I passed the Weedonville Post Office and pulled onto Eden Drive.  Eden Estates was a new subdivision built to accommodate the influx of people coming to work at the Naval Weapons Laboratory in Dahlgren.

Maynard Carter was a mathematician.  I’m not sure what he did as a civilian employee of the Navy, but I’m sure it paid pretty well and probably had to do with blowing stuff up, which seems like good work if you can get it.  Two little boys were running around the yard with bath towels tucked into the neck of their t-shirts, arms outstretched like George Reeves on television.  The one was fussing to the other that Batman couldn’t fly and he’d have to stay behind.  There was a lot of crying.

“Hey mister, can Batman fly?”

“I don’t think so.  I think Captain Marvel could, he could do about anything Superman does.”

“Captain who?”

“Uh, he was this kid who yelled ‘Shazam!’ and lightning hit him and he turned into a big Superman guy who looked like Fred MacMurray?”

“Wow!”  the kid yelled.  “SHAZAM!”  And he took off running after his brother.

My day was unlikely to get better from here, but I stepped up on the porch and rang the doorbell anyway.  The house was a brick rancher with a small front stoop and brown shingles.  It was so new the paint on the shutters was fresh and the mortar between the bricks looked clean and smooth.

The woman who answered the door looked tired, and a little frazzled, and she did not invite me in.  Instead, when I asked after Mr. Carter, she summoned him and disappeared into the house.

“We’re not interested in buying anything, mister.”

Maynard’s hair was a tangled mass that didn’t look like it’d seen a comb in a week.  His khakis fit him poorly, bagging off his ass and covering his slippers, and he had a short-sleeved button-down with a pen in the breast pocket and crumbs down the front.  His cheeks were rosy and his smile was strangely dark.

“Well I’m not selling anything, Mr. Carter.  My name’s Harry Cogbill, I’m working for Mildred Harris.”

“Oh.  Yeah, poor Dane.”

“Poor Millie,” I said.

“Yeah, true, I guess Dane isn’t the one hurting.”

“I hate to bring this up, but Millie’s a little concerned that Dane might have been entertaining a guest when he died.”

“What, like a friend?”

“Well, for example.  Maybe a special friend.”

“What, like a work friend?”

“Like a lady friend, Maynard.”

“I never thought Dane was the type.”

“Me neither.  Still, what if he was?  Can you think of anyone, maybe from work, that he might have been seeing?  Did he have a secretary, or…?”

“No.  I mean Christ, socializing?  Who’s got time for that?  Let alone fraternizing.  Dane?”

“He didn’t talk to anybody?”

“I don’t watch what people do.  It’s boring.”

***

Shirley Dodson was the secretary for the department where Dane had worked on base.  She and her husband had a farm out near Rollins Fork, on the east end of the county where Route 3 crossed into Westmoreland.  I almost missed the turn, then pulled off onto a dirt drive flanked by pens where horses grazed, tails and ears flicking the flies away, raising their heads to watch the car as I drove by.

I found myself walking out to the barn with Ms. Dodson while she fed the horses.

“Dane Harris didn’t have a woman over when he died, Mr. Cogbill, I’ll guarantee you that.”

“You seem awfully sure.”

“I am sure.  Dane Harris didn’t like women.”

“He was sure married to one.”

“Mr. Cogbill, it’s nineteen-hundred and sixty-one.  Just because a fella’s married to a woman doesn’t mean he’s sexually attracted to her.”

I had to admit it explained a lot.  But it was 1961, and regardless of what Shirley Dodson believed, most folks didn’t think about that kind of thing.

“I’m not sure that’s something I want to take back to Millie.”

“I wouldn’t either.  It’s beyond the point of mattering now, isn’t it?”

Shirley Dodson was a practical woman.  I liked her.

“But how do you know?”

“You know who you need to talk to, Mr. Cogbill?  A fellow by the name of Maynard Carter.”

“I just came from Carter’s, ma’am.”

Ms. Dodson regarded me like a teacher patiently regarding a slow child.

“Oh shit.”  I left her there, turned my car around fast as I could in front of the house, and raced in a trail of dust back out to state route 3 toward Office Hall, then up 301 to the east end of Eden Drive.  When I got back to Carter’s house, the car was gone, but the kids were still in the yard.  The tired-looking woman came to the door when I rang.

“Mrs. Carter, is your husband around?”

“No.  I don’t know what you said to him earlier but he’s a good provider and he means well.”

“Where’s he go when he’s upset?”

I found the car right where she said, out at Westmoreland State Park, down by the waterfront on the Potomac.  He was nowhere around.  I took off down the beach and after a while I found him sitting on the rocks, with a steak knife in his hands, contemplating the river.

“Carter.”

“What now, you haven’t finished ruining me yet?”

“I haven’t done anything to you, Maynard.”

“Maybe not yet.  What happens when you tell Mildred about Dane and me?”

“What’s the knife for?”

“Lillian and the kids’ll have the money.”

“I haven’t told them, Maynard.  I don’t care if you’re gay.  It’s not my business.  You don’t want to do this.”

“It isn’t logical, that I’m the way I am.  I’m a mathematician, I’m accustomed to things making sense.”

“Okay, so some things aren’t logical.  I can’t solve your problems for you, but I won’t make them worse.  Okay?  I’ll tell Millie there was nothing to learn.  Dane was alone.”

It took some work, but finally he believed me, and threw the knife away.

***

I kept my word to Maynard Carter.  I tried to give Mildred Harris her money back on the grounds that I’d found nothing, but she wouldn’t take it and I finally had to drive home feeling like I’d ripped her off.  That night Ethel and I took our coffee on the porch, watching the lightning bugs in the field, the sound of cicadas like waves breaking across the trees.

“I don’t think you ripped her off, Cogbill.  She wanted peace of mind, and I reckon you gave it to her.”

“On a lie.”

“Well it ain’t a perfect world.”

“Parts of it are.”

“I do like this part very damned much,” Ethel said.

“Me too.”

At length I said, “You were right.  I don’t want to flip burgers or anything else.  I just thought you deserved the stability.”

“I wanted stability I wouldn’t have chose you, Hieronymus.  Quit trying to be something you ain’t.  Just accept it, you’re a detective.”

“You’re right,” I said.  “I am.  I want to do this.”

The Persuasion Filter and the DCEU

I know it’s been some time since I’ve posted.  The fact is, I was so disappointed about what Warner Bros. did to Zack Snyder’s Justice League that I couldn’t even write a review of the… thing… we got, and that took me out of blogging mode.  That coupled with the need to not put my entire novel online, left us with the tumbleweeds you probably notice all over this blog.

But, although I haven’t been writing, I’ve still been thinking, and not only that, but I’ve been getting a clearer handle on my worldview.  So when I posted about politics, I talked at some length about narratives and perceptions.  And what I’ve realized in the time since then, is that this is all part of a bigger picture: persuasion.  Politics has always been about persuasion, and the most persuasive candidate is usually the one who wins the election.  Simple as that.  The media, whether Fox or CNN or anyone else, has their particular bias and that can be persuasive but it also plays into confirmation bias, which is to say we all like to watch whatever news makes us feel good about what we already think.

But persuasion exists beyond politics.  In fact it exists all around us.  Sales is based on persuasion, and in business sales equals success.  So the most persuasive salesperson is the most effective; the business that manages its branding the most effectively, is the most successful.  Branding, by the way, is a type of persuasion.  It even happens with churches – especially the charismatic churches.  There’s a growing church in this area called Lifepoint Church.  We all wondered how they were growing so rapidly and I finally saw them in action the other day.  They came to my place of work to buy a bunch of food to feed the hungry.  Which is awesome, of course.  But I noticed the way the organization had arranged it, they made this simple act into an event that raised their visibility.  That is to say, the people of the church all came out in a humongous sea of humanity, wearing Lifepoint t-shirts that were red, and which bore the slogan “PAINT THE TOWN RED.”  They all came out at once, and they all had a shopping list that had been given them, and they bought whatever they were asked to buy and donate.

I had to try and figure how that fit with the gospel, where Jesus says when you do something good not to tell anybody but just do it and keep it to yourself, because it shouldn’t be about glory or recognition but just about doing a good thing.  Then I realized that Jesus in his own way was persuasive.  He didn’t just walk around preaching across the countryside, he healed the sick and the blind and raised the dead, cast out demons, and turned water into wine.  And in the end, he went to his death without uttering a word, allowed himself to be stripped and beaten, the flesh flayed off his back, and was nailed to a cross in full view of the public.  He didn’t just talk a lot.  He put himself out there, and put everything on the line.

Dr. Martin Luther King, Jr., understood this principle in the way he approached his wing of the Civil Rights Movement.  There was persuasiveness in being nonviolent, in letting themselves be attacked by dogs, by policemen with clubs, by men with fire hoses; there was persuasiveness in going to jail and showing that the cause was so righteous that none of these indecencies could take away their dignity.  King’s speeches were persuasive, too.  He didn’t attack people, he attacked policies, and he tried to reach hearts and minds, to appeal to the common humanity in all people.

Now, Lifepoint Church’s techniques aren’t this dramatic because there’s no danger in what they’re doing; but they absolutely are persuasive.  They make themselves visible, they show you that they are an active church that does good things for the community.  It makes people want to be a part of their organization.  That’s just excellent persuasion.  And maybe, when it’s getting people involved in something that actually IS making a difference…maybe it’s a good thing.

So, let’s bring this principle to film, or specifically to the promotion of film.  In the years since Harry Knowles and the other first-generation independent online entertainment journalists opened a pipeline between fans and the entertainment industry beyond the sale and redemption of tickets, we have seen the major film studios learn how to work that system to their advantage.  And the system has evolved, so that now it’s based as much on YouTube as anywhere else.  People are making money just making YouTube videos where they blab about stuff they know little to nothing about.

Disney, being the largest and most successful studio at this point, knows how to make this work for them.  They invite entertainment journalists – both the legitimate ones and some of the more successful internet pundits – to tour the sets, to interview the stars and the creators.  Disney treats them like they’re special.  Now, that’s just good business.  Can you see why?  If you’re a schmoe with a YouTube channel that’s really taken off and you have a couple million followers, you’re feeling kind of like a celebrity yourself.  And to have done all that work, that has to have been what you wanted.  You wanted to be a voice, to be a part of the entertainment industry, even if only on the fringes.

So, by inviting you to the set, a studio, in this case Disney, legitimizes you.  They’ve given you something you want.  They’ve given you access, let you in the door.  They’ve fed you.  They (hopefully) stopped short of the reach-around.  But the other side of that, is they’re effectively making you an ally.  When you go to write about your experience, you’ll have had fun, and your writeup will reflect that.  Or when you make your YouTube video.  Therefore, when you go to the theater to watch the finished film, you’ll feel a sense of ownership because you were there when it was all happening.  You’ll have a ton of fond memories that make you light up just watching the film.  And you’ll probably feel a bit of an obligation to pay them back for the good time, by giving them a good review.  Especially because you want to be invited back next time.

Disney, in fact, does EXACTLY what I’ve just described.  They’re known for it.  Warner Bros., on the other hand, is notorious for being very bad at this game.  Warners, to put it bluntly, doesn’t kiss nerd butts.  Now, that alone isn’t enough to generate negative reviews, obviously.  That won’t happen on its own.  But there’s this DC and Marvel rivalry that has existed since Marvel Comics came to be in the 60’s.  And it’s only natural.  DC and Marvel are competitors.  Like Coke and Pepsi.  Ford and Chevy.  Beatles and Stones.  McDonald’s and all that is good and holy.

So there’s already a pre-existing tendency to choose sides between DC and Marvel.  If you’re a blogger getting your butt kissed by Disney, and being treated as insignificant by Warner Bros., well, that’s going to decide your bias for you real quick.  If you have to pick a side, you’ll pick the side of the butt-kissing every time.  Human nature being what it is.

So the bloggers and the vloggers went out and trashed BvS because it wasn’t a Marvel picture, and nobody at Warners ever even offered them a handy.  It probably wasn’t even a conscious choice.  They thought they were doing their duty.  Now you’ll say, “but wait!  The bloggers and the vloggers and the critics weren’t the ONLY ones who hated the movie, a lot of moviegoers did, too!”  And that’s fair.

Except that a five-minute conversation with the average moviegoer who hates BvS yields, consistently one result: none of them can name a legitimate reason why they dislike the film.  None of them can describe one actual thing about the film that was bad.  And when you counter them, point-for-point, most of them just move the goal posts.  They have to make up stuff that isn’t true, to explain why they don’t like the movie.  You know what that’s a tell for?

Cognitive dissonance.

They BELIEVE the movie is bad, but they don’t know why.  And they can’t accept being wrong, or having been duped.  So they hallucinate all kinds of reasons why the movie was bad.  Which probably indicates they didn’t form their own opinion, here, they sided with their favorite internet personality, or they simply chose Marvel over DC because Marvel movies are good so DC movies can’t be.

Now, here’s Warners’ second mistake.  When they realized they had a branding problem after BvS, they pulled the rug out from under Zack Snyder and made Joss Whedon ruin Zack’s movie.  Yeah, no, that’s what happened.  They MADE Joss ruin Zack’s movie.  I don’t think Joss was like, “I’ll just piss all over everything, here.”  Joss is actually a pretty talented guy.  Warner’s told him, “Zack’s movies aren’t working well for our brand, so make the movie short and funny.”  And Joss said, “um…well I guess if I don’t my career’s going to take a hit, so, this sucks, but at least I’m getting paid.”  Probably.  I mean, I can’t read his mind.

But here’s why this was bad persuasion.  In the first place, it says, “everything we’ve done so far has been bad,” which is throwing under the bus every fan who has paid to own the DC movies and to see them in the theater so far.  It’s throwing under the bus every fan who went in prepared to love BvS and did.  It’s throwing under the bus Zack Snyder, and his wife Deborah, who worked their asses off for years, starting with Man of Steel, to get the DCEU up and running.  In short, it was brand suicide.  It did not persuade anyone who hated the DCEU already, to come see Justice League.  It displeased the diehards who love Zack’s films.  It produced a film for exactly NOBODY.  Justice League the theatrical cut, or “Josstice League,” as some are calling it, is a film for nobody.  It landed with a splat and nobody gave a damn.

Now, here’s the good news.  Warners cleaned house.  All the idiots responsible for these dumb decisions are gone.  Kevin Tsujihara (the King of the Idiots) is out.  Walter Hamada is in.  There are rumblings of many varied projects, which are not all connected.  That sounds off-putting at first, but it could potentially be a great idea.  Here’s why.

It sets up multiple paths to success.  They’ll make some darker films, some lighter films; some low-budget films, and some big-budget ones.  They’ll see which ones audiences respond to most, and then they’ll make more of those.  That’s a good strategy.  It makes me think maybe Mr. Hamada has a good persuasion game.  Maybe he’s going to right some wrongs.

This is backed up by the fact that Warners now actively kisses nerd butts.  Embargoes lifted today for Aquaman set reports.  The trailer drops at SDCC this coming weekend.  And it has been officially confirmed that the #SnyderCut of Justice League exists.  It has not yet been confirmed that it is coming, but there have been a lot of hints, both from Zack Snyder on Vero and from others as well, including Jay Oliva, Zack’s storyboard artist, and Aisha Tyler, the host of the DC panel at the upcoming SDCC.

If Hamada is the persuader and strategist I think he is, this would be a brilliant play.  The bloggers and the vloggers and the journalists have been saying for months that the #SnyderCut doesn’t exist.  For them to be proven wrong in so big a way, would jolt a lot of people out of their mental cages.  Bust some bubbles.  And it might signal the dawning of a new age.  I could be getting ahead of myself, of course.  We’ll probably have a clearer picture, one way or the other, next Saturday.

But until then, I leave you with this food for thought.

Oh, and one other thing:

#ReleaseTheSnyderCut

A good decision (left) and a bad one (right), as solutions to the same problem.

 

Dolores O’Riordan – A Voice Out of the Darkness

It was summer, 1994.  I had recently graduated high school, and was enjoying a trip to Ireland with my parents.  Along for the journey was my best friend Steve, and his mother and stepfather.  We spent the trip traveling around the lower half of the island, staying well clear of The Troubles, touring the countryside and various points of interest, staying in a different B&B almost every night.

King John’s Castle, Limerick, Ireland

One day early in the trip — possibly Day One, else it was Two — we visited the city of Limerick.  Steve and I were excited because this was the home of The Cranberries, though of course they were probably not there that day and in any case we certainly did not encounter them in the street or anything so absurd.  My two clearest memories of Limerick are an HMV, where I bought two t-shirts I would wear throughout my college years, and saw for the first time a copy of U2’s first album, “Boy,” with the proper cover art.   The second thing, just up the street upon an island in the River Shannon, was King John’s Castle, a sprawling 13th-century fortress.  Somehow, at the time, I was more excited about being in the Cranberries’ hometown.

I don’t know if it’s less common for teenage boys than it is for teenage girls to have a crush on popular singers, but in any case it really only happened once for me, and that was Dolores O’Riordan.  She typically kept her hair short; either a black or blonde pixie cut, with a broad forehead and sort of a heart-shaped face.  She typically wore simple black clothing, stockings, and combat boots, not the aggressively sexualized style of the modern pop singer.  She looked like she had a lot on her mind and would probably have a lot of interesting things to say, and that combined with her voice and the steely look in her eyes, made her a very compelling figure.  She didn’t need to give away the goods to be interesting.  She could flat-out sing.  It was an unusual voice but it was powerful, and carried a lot of emotion, and she used it in compelling ways that truly made her, as a vocalist, as much a part of the band’s signature sound as her three bandmates — the brothers Mike and Noel Hogan, and taking the award for owner of the Irish-est possible name, drummer Feargal Lawler.

The Cranberries music has a kind of haunting sound which struck an interesting counterpoint to the grunge movement of the 1990’s.  They were without question a rock and roll band, but their sound was sort of poppy, with ringing guitars and gentle, tripping rhythms, a lot of strings and other instrumentation that went beyond what the four of them typically produced on their own.  The sound, like O’Riordan’s iconic voice, lived in the space between beauty and anguish, haunted by the dark but not removed from the light.

Between March of 1993 and April of 1996, they released three hugely successful albums and a stream of classic singles that you still hear out in the world, twenty-five years later.  They had kind of a comedown in popularity after the third album, which was a bit of a departure from their signature sound, and then after a less successful fourth album in 1999, they left Island Records and made a fifth album in 2001 that I honestly did not even know existed.  They broke up, and reunited over a decade later, in 2012, to release a new album.  Their most recent offering, “Something Else,” was released last April.

It hasn’t yet been revealed how Dolores died.  I know that she reportedly suffered from bipolar disorder and depression, stemming from abuse she suffered at the age of 8.  I hate that such a thing happens to anyone.  She had struggles, resulting in an unfortunate confrontation with an Aer Lingus air hostess in 2013.  She also tried to end her life that year but, thankfully, the attempt failed.  She has three children – ranging in age from 12 to 20 – and she always said she loved “being a mum.”  She also fought with anorexia for a while.  My fear is that her mental illnesses caught up with her.  I hope that isn’t true.  I would take almost any other explanation over that.  So often the people who tell stories and create beautiful art do so because they need a way to express some darkness that has been planted within them, and too often they leave us too soon because of it.

I’ve been listening to The Cranberries this afternoon.  “Ode to My Family” struck me in a whole new way today, as I considered Dolores’s life, and so I’ll share that video below.  All I can say is, may you be at peace, Dolores.  You kicked ass.  You were always beautiful, no matter how you might have felt sometimes.  Thank you for sharing your beautiful voice with us.  Thank you for your music.  And thank you for giving a seventeen year old boy a healthy image of what a young woman looks like — with a head full of interesting ideas, a badass pair of combat boots, and all her clothes on.

The Dark and Lonely Road – an update

It’s no secret that D&L is the most popular thing on this blog. Or maybe the only popular thing. As it’s been two months since the most recent chapter went up, I think I owe you, my readers, an explanation.

I have a complete first draft! I have reworked the first chapter, fixed a number of inconsistencies and tried to break up some repetitive language. Currently I am fixing some third act issues. So, fear not, I have not abandoned the work. However I feel so good about this book that I intend to seek proper publication and I think it’s best not to put the entire manuscript online.

So I’m at something of a crossroads with regard to the updates. Do I put one more chapter up? Two? Or do I stop, having most recently put up a strong chapter that I’m proud of?

Anyway I wanted to reassure those of you who have been invested in the story and are wondering if I’m still on it, and if you will have the chance to read the whole thing, one way or another: reckon that’s so.

“THE LAST JEDI” Review – A New Hope for the Franchise

What I disliked so intensely about “The Force Awakens” was that it seemed to miss the point of Star Wars.  It looked like a Star Wars movie, but it struck me as rather soulless and empty, and the abiding feeling I had as Rey held out Anakin’s lightsaber to Grumpy Old Man Luke, and we irised out to the end credits, was, tragically, “meh.”

I remember shrugging a lot.  I remember writing several articles and various Facebook rants about why they’d gotten it wrong.  So much so that it also sparked some writing from me, on my blog, about the deeper themes in Lucas’s Star Wars trilogies.  JJ Abrams is a Star Wars fan, but he’s the kind of fan I dislike.  He obviously is no fan of the prequels and thus discounts all the wonderful ideas buried beneath the clumsy, stilted storytelling of those films.

Darth Vader: Curing constipation since 1977

But wait, you say.  I’m supposed to be reviewing “The Last Jedi.”  Well, you’re right.  And the reason I’ve spent my first two paragraphs on setup is so you understand that I’m a hard sell for Disney Star Wars.  Hopefully that adds the necessary weight when I say that I absolutely loved Episode VIII: The Last Jedi.

It isn’t a perfect film.  Some of the dialogue, particularly in the opening scenes with Domhnall Gleason’s General Hux and his bridge crew, is so tin-eared it would make even George Lucas cringe.  BB-8 is still a cartoon drawing of all the worst things about R2-D2.  But Rian Johnson did what JJ Abrams couldn’t do (and likely was forbidden from doing) with The Force Awakens: he surprises us.  The characters are actually characters now.  Things happen with purpose and meaning.  It’s a real movie.

Throughout the film’s 155-minute runtime, Johnson makes bold choices and leaves us constantly in fear for the safety of characters young and old.  Things happen that the audience absolutely does not expect.  And through it all, none of these choices ever rings false.  In fact, although Johnson breaks in various ways from what we by now think of as the Star Wars formula, he does so with the full understanding of the weight of those decisions.  Rian Johnson gets Star Wars.  This is a man who has watched all of Lucas’s Star Wars movies and, like me, has found something to appreciate in all of them, even the prequels; likely even Attack of the Clones, with its broken pace and confounding love story.

Luke Skywalker tells Rey something like, “at the height of their power, the Jedi allowed a Sith Lord to take over the Republic and turn it into an Empire.  That’s their legacy.  Hubris.”  Yeah, Luke Skywalker just explained the prequels to Rey.  Everything about that pleases me.  I’ve written before about one of the broader ideas in the original six films being that the Jedi were not so wonderful, and that Anakin, as the Chosen One to restore balance, had to destroy both the Jedi and the Sith, from within.  Although Luke never says that as such, he does confess that he believes it’s time for the Jedi to end.  A surprise cameo from a beloved character – and I won’t spoil it here – leads to the understanding that failure is the greatest teacher, that the burden of all mentors is to see their students grow beyond them, and that we must let go of the past.  It’s bittersweet, it’s wrenching, and it’s absolutely dead-on.

I echo the sentiments of my favorite entertainment journalist, Drew McWeeny, when I say that I was ready to concede that Star Wars no longer belongs to my tribe, that it’s somebody else’s now for better or for worse, and that I’d probably never really love anything new that the brand had to offer.  But Rian Johnson and “The Last Jedi” proved me wrong.  I couldn’t be happier to be so mistaken.

That’s the spoiler-free review.  If you haven’t seen the movie yet, don’t read on.  I went in totally cold and I believe the experience was better for that.  But if you’ve seen the movie, or you have no plans on seeing it and just like reading what I write (hi, Mom!) then let’s make like every customized Honda on the road in 2003 and bust out the huge spoilers.

I have detailed my thoughts on this film’s predecessor, “The Force Awakens,” here and also here.  So I won’t retread too much of that but I will say that Rian Johnson addresses most of those issues perfectly and does so almost right from the start.  When we catch up with the whiney little bitch Kylo Ren, he’s kneeling before Snoke’s throne.  Snoke, by the way, is the worst name to happen to Star Wars since Elian Sleazebaggano in Attack of the Clones.  “Snoke” sounds like something you name your pet badger.

This guy, on the other hand, is more of a Sparky.

Anyway, Kylo is back in his toy Vader helmet and Snoke says he realizes that he’s made a mistake in thinking that Kylo Ren, with those good Skywalker genes, would be another Vader.  “You’re no Vader,” he says.  “You’re a child in a mask.  Take that ridiculous thing off.”  Ren does.  And then, in the turbolift, he throws one of his signature hissy fits and destroys the helmet and a lot of classic Star Wars wall lights.  Fake Vader no more.

Then there’s Luke and Rey.  The most depressing aspect of “The Force Awakens” was, for me, that they turned Han and Luke into assholes.  I hate to say assholes, but jerks just doesn’t cut it.  When his son turns evil and murders a bunch of people and runs away to conquer the galaxy, what kind of guy abandons his wife and returns to a life of crime?  An asshole.  When you make a mess and turn your nephew evil and you’re literally the ONLY PERSON IN THE ENTIRE GALAXY who can stop him, what type of guy runs away to stand on a cliff and cry for thirty years?  An asshole.  There’s just no other way to say it.  For a guy whose name literally means “Bringer of Light” in Hebrew, that’s a bitter pill.

It’s too late to do anything about Han, but the way Rian Johnson solves for Luke Cliffsulker was to walk the only possible line that he had.  He owns it.  When we rejoin them, Rey is still standing there like Little Lord Fauntleroy and Luke is still scowling at her, and then what happens next?  Luke takes the lightsaber from her, throws it off the cliff and growls at her to “go away.”  So.  Luke IS an asshole.  I mean as long as we’re owning it, I’m fine with that.

“Let me get this straight. You came all this way and you didn’t bring beer? How the hell am I supposed to cope with everything sucking?”

In the second place, we discover that Kylo Ren actually is, at least partially, Luke’s fault.  And as I’ve said before, one of the defining aspects of Luke is that he screws up almost constantly.  Actually, sulking is in character for him, too.  So it turns out that once I see it in action, it works.  I have to admit, though, I was still bummed out about mean Luke for a while.  Then Yoda’s Force ghost appears, and it’s a puppet, and it’s Frank Oz, and Yoda laughs and smiles and calls Old Scraggly Luke “Young Skywalker” and winds him up some, pointing out that he’s being a jerk and that the truth is, failure is the greatest teacher of all, and the burden of being a teacher is that your students outgrow you and you have to let go.  It’s the most perfectly Yoda thing, and I was smiling from ear to ear and my eyes were leaking or something, and “The Last Jedi” won my heart.

I had also been worried about Rey.  I didn’t want her to be a Skywalker or a Solo or a Kenobi or any of the other silly fan theories.  Why?  Because there’s no version of that that doesn’t turn a character I like into a monster.  After all, who abandons their kid on a desert world with no guardian?  Not Han and Leia.  Not Luke, or Kenobi.  Even Emperor Palpatine personally went and picked up Anakin when Kenobi left him looking like an exploded hot dog on Mustafar.  You can’t make Luke or Han or somebody into a bigger dick than Palpatine.  And here comes Rian Johnson, explaining that Rey’s parents are nobodies, that they were junkers who sold their child for booze.  If JJ Abrams retcons that in Episode 9, I’ll probably drive to his house and knock him out.

“No, Rey… *I*… am not your father.”

Like “The Empire Strikes Back,” this is a story where the Force-using hero leaves to go on a journey of self-discovery while the other heroes run for their lives and embark on a side quest.  In that sense it’s familiar.  But it’s handled differently, and structured differently, and the choices Rian Johnson makes in the storytelling are consistently surprising, and surprising is exactly what Star Wars needs right now.  So why are “Star Wars Fans” angry?  I put that in quotes because I’ve been a Star Wars fan all my life and I’m not angry.  Maybe it’s the theories.  If you’ve spent the last couple of years theorizing whether Supreme Leader Snoke is anyone important, this movie might piss you off when Kylo Ren cuts him in half and assumes his role as Supreme Leader.  The audience I saw it with cheered, though.  Snoke sucked, let him go.  The Star Wars guy, I mean, not your pet badger.  Although if you have a pet badger, what the hell is wrong with you?  Let him go, too.

“Now I will reveal to you a terrible truth: secretly…this entire time… I have been ENTIRELY unimportant to the plot! Maniacal laugh… MANIACAL LAUGH!!!”

If you’ve been married to the idea that Rey’s parentage has to be a surprise because Luke’s was a surprise, well… yeah this movie probably made you want to go stand on a cliff and cry for thirty years.  Because that’s just the kind of thing you’re into.  But not me.  This movie hit all the notes I needed it to hit, to keep me interested in Star Wars at a time when I was prepared to walk away.  Well-played, Rian Johnson.

This is dumb.

No shit, Vox.

I like to keep my news updates coming from sources across the political spectrum. That way I can see how stupid everything is.

Let me make this plain: every single human being who draws breath is deluding themselves about one damn thing or another. It’s the universal constant. To act like this is news is to reveal yourself to have the intellect of a child.

Life sucks, and we deal with it by reframing everything into an order that makes sense. Yes, even you.

Wives stay with no-good husbands because they love them. Young girls date awful boys in the belief that they will change. Men stay with cheating wives, even when the child is obviously another man’s. People vote Democrat or Republican in the belief that it makes a difference and that their side is actually on their side.

These are not rational decisions. We are not rational animals. We do things because we have, above all, a need to be happy, and very often we hinge our happiness on things over which we have no control.

The truth is, happiness is not external. It’s about how we perceive the world, and we manage that perception once a day, every day, all day long.

So, yes, people routinely overlook the gross things about politicians when they believe that person is necessary to making sense of the world. This is as old as democracy itself.

If you’re only just noticing it now, you haven’t been paying attention.

Think Outside the Food

As I write this, I’m sitting in Taco Bell. What I’m punishing myself for, I don’t know. What I do know is it’s fun to go into Taco Bell and order some random number of regular tacos and a drink.

I can vaguely remember being a little kid and going to Taco Bell with my parents. They served tacos, and little cups of frijoles, and possibly rice, too. By the time I was old enough to realize I liked tacos, the menu had been ravaged by whatever coke-snorting demon clowns now own not only Taco Bell, but KFC and Pizza Hut as well.

“Yeah, I’d like, uh… I dunno, like four crunchy tacos, and a drink.”

“That’s it? Just four regular tacos?”

“And a drink, yep.”

“You don’t want a Megachupaquesolupachangarito?”

“Uhhhh… no…”

“You don’t want food made entirely from Cheetos and Elmer’s glue?”

“Um, no, the uh… the standard amount of Cheetos and Elmer’s glue will, uh, will… will be fine.”

“Sir that IS the standard amount.”

You know what Taco Bell is to Mexicans? It’s like if you went to Cancun and there was a place called “Burger Bomb,” and the entire menu was just random shit served on rolls.

MEAL DEALS

1) Pizza Burger – a slice of pepperoni pizza on a thick, garlicky crust, served on a sesame seed bun.

2) Chicken Burger – Chicken patty, breaded and fried, with grape jelly and mayonnaise, and a slice of unripe pineapple.

3) American Burger – a bologna sandwich.

4) American Pizza – a flour tortilla, served flat, loaded down with tater tots, Greek yogurt, and Vienna sausages.

5) Traditional Burger – a sausage biscuit and the only edible thing on the menu. You will be shamed by our staff for ordering this.

Coming soon, breakfast burgers!

You hear people talk about cultural appropriation, but nobody ever takes Taco Bell to task over this, that I am aware of.

Your move, payasos.

A Vision of Turkey Tayac

Throughout my childhood, dreams were a major part of my life.  I often suffered from terrible nightmares that woke me screaming in the night, and when I woke up my imagination would turn ordinary objects in my room into visions of terror, which would send me running across the hall and literally flying though the air to belly-flop in my parents’ bed.

As I got a little older, I began incorporating into my nightly prayers a plea to God that the nightmares wouldn’t come.  That did the trick; they went away pretty much for good.  Later, I began to experience a new kind of dream: the prescient kind.  At various times during my adolescence I would have a dream that felt unlike other dreams.  The kind that I understood was a vision of things to come.  I would remember them clearly upon waking, and the feeling of certainty, of understanding that these events would occur, was beyond my ability to explain.  I predicted several events, including the disappearance, return, and eventual death of my neighbor’s yellow Labrador retriever.  This ability has mostly left me now, too, but sometimes during periods of great stress or turmoil, both the nightmares and the prescient dreams return.  And so it was that I one night came to meet the last full-blooded Piscataway Chief, Turkey Tayac.

He had been dead for twenty-eight years.

One day, in 2006 or ’07, my friend Jeremy and I had driven up to Maryland and, looking for something new to do, made our way to Piscataway Park, a nature preserve beside a Native American reservation across the river from Mount Vernon.  We walked the nature trail and came to a place where the last full-blooded chief of the Piscataway Nation, Mr. Turkey Tayac, was buried.  There is a plaque there, with his photograph, an older gentleman with grey hair and a plaid shirt, and a brief epitaph beside the picture.  Visitors had left tokens, coins and such, along the lip of the plaque.  I felt that I should pay respects, but had no coins in my pocket.  I turned around and there were some quarters in the grass a few feet away, along the bank of the creek that flows along the property.

I picked up the quarters and placed them on his plaque, and sent good thoughts in his direction.  Jeremy and I continued on our way, walked as far along a dirt road into the forest as we dared to, before we felt that perhaps we shouldn’t go any farther, and turned back, along the road, back to Turkey Tayac’s grave, and then along the dirt path and the plank-covered walkway along the creek, back to the visitor’s center and the car.

In October of 2007, a girl named Colleen, whom I was involved with, flew in to Reagan National from Chicago, Illinois, to visit me for a weekend.  It was the culmination of many months of communication, via e-mail, instant messenger, and telephone, and the visit was one of the best times I’ve ever had, but when she left, she was heading home into a difficult situation and I knew that her life was about to carry her away from me forever.  We hugged a tearful goodbye, and she smiled at me in that special way she had and said, “no regrets.  The bitter and the sweet.”  It was a callback to an early conversation of ours, regarding the dual nature of life and the universe.  That without the bitter, the good things in life wouldn’t taste so sweet.  You need both.  Two days after she got home, she emailed me to let me know she was moving on.

In the months following, I was distraught, because I loved her and would have been delighted to walk with her to the end of my days, but it was not to be.  Then one night, I had the most startling, and moving, dream of my life.  I’m not even sure “dream” is the correct word.

I found myself in a field, near a treeline, on a starlit night, walking beside Colleen.  A city girl, she was never comfortable in the country, especially in the forest, but I saw a low opening in the treeline and knew we must enter.  She was nervous, but she always said that whenever she was nervous, if I took her hand she’d be fine, so I did, and together we ducked through the opening in the edge of the forest.

On the other side was another clearing.  Here there was a great bonfire, and singing in a language I did not know.  There were drums and wooden flutes, and shirtless men with painted chests and faces danced and sang around the fire.  The tongues of flame were ten or fifteen feet all, and the sparks drifted up into the night and disappeared among the stars, which were numerous and breathtaking, a thief’s bounty of jewels strewn across a silken bed of black and blue.

An old man sat nearby, on an old-fashioned folding lawn chair, the tubular aluminum kind with stiff, interwoven nylon bands forming the seat and back.  The man’s hair was steel grey, his skin the color of walnut, his lips creased with age.  He wore wire-rimmed glasses, a blue plaid shirt, faded blue jeans, and brown leather cowboy boots: Turkey Tayac.  His features were sober, but kind, and he spoke not a word, but raised a hand and we approached.  He motioned for us to sit before him, and we each pulled up a hunk of ground before him.  He reached under his chair and produced two carven figures: a swimming baby, and a ginger cat.  He let us choose them, then we decided we’d got it wrong and swapped.  Colleen held the baby and I held the ginger cat.

The Chief raised his hand again, and the singers, the fire, the grass and the trees and the jewel-encrusted sky all vanished, and we sat in a house.  The chief’s chair had become a mission-style piece of interior furniture, all dark wood and big cushions, backed into the corner of a drawing room, and Colleen and I knelt on a hearth rug on the floor.  My friends Steve and Heather, whom Colleen and I had visited with during her stay, were there in the room.  They were a married couple; the two of them had met in college and I’d known Steve since middle school.  Colleen and Heather wandered off to a kitchen counter to talk and drink some coffee, and the Chief disappeared.  Now I sat in the corner chair and watched the comings and goings.  Colleen and Heather walked away, to some distant part of the house, and never reappeared.  People kept presenting me with books, some of which I had written, and then Steve and I disagreed about something and he went away.  But all of my belongings were being packed into boxes and moved somewhere, and all around me, the activity continued, family, friends; some I knew and some I did not.  The flurry of activity became impossible to follow and at last I awoke, and it was morning.

The next summer, my ginger cat, Lucky, passed away.  Steve and Heather revealed to me that there was difficulty in their marriage, and by the following year, they split.  Colleen got a new boyfriend, and became a mother.  I joined a writer’s group, and Clayton and I started filming our movie.  Then at long last I moved out of my parents house and into a place of my own.  It’s not that the dream predicted any of this, exactly, but it kind of…prepared me.  I was never sure what exactly it all meant, and for years afterward I felt a pull to return to Turkey Tayac’s grave in Piscataway Park, but as of this writing, after nearly a decade, I still have not been back.  Looking back on it, the message, as I see it, is that life goes on, and it is full of loss and also of discovery, and perhaps the Chief was saying, don’t grieve, because you’ve only just made your way further along the road, and many adventures remain.

No regrets.  The bitter and the sweet.